12 Exposures – A Roll of Insights: Episode 1: Steve Mc Curry

Steve McCurry is one of the most famous photographers of our time. Known for his vibrant color and people-centric storytelling, his work has inspired generations of photographers and continues to shape the way we see the world. In this conversation, McCurry shares his thoughts on photography, travel and life behind the lens.

Looking back on your Kodachrome days, what aesthetic or mental habits from the analog era still inform your digital work today?

Exposure discipline remains essential. Kodachrome required precision, and that habit has carried over into my digital work. I still tend to underexpose slightly to achieve a richer, more saturated look.

How do you create enough confidence for an intimate portrait in just a few minutes without overstepping personal boundaries?

It comes down to time and respect. Spending time with people, making them feel comfortable and building trust naturally opens the door to more authentic portraits.

When do you let a single image speak for itself - and when does it need context, words or a series to tell the whole truth?

An image can stand on its own, but captions or context often enrich the viewer's understanding. Even in museums, art is accompanied by a description. Ultimately it's a personal choice, but I see value in adding context.

In busy, colorful scenes, how do you find a calm frame within seconds of chaos?

It's largely intuition and practice. Over time, you develop a sense of harmony and composition - even in the most vibrant, chaotic places.

What recurring question about the world keeps your curiosity and your photographic eye alive after decades of traveling?

Life itself. I am endlessly curious about people, places and the way daily life unfolds in different cultures.

What small travel habits help you stay present and mindful?

I don't have any particular habits, except that I try to be at the airport on time.

Training Institute, Henan Province, China, 2004.

How has your attitude to personal risk changed since your early years in Afghanistan and what advice would you give to young photographers?

The willingness to take risks changes with age. When I was younger, I was more willing to take risks, especially in Afghanistan. Today I am more cautious. It's hard to give general advice as every person and situation is different, but awareness and preparation are essential.

When you realize that your motifs or compositions are starting to repeat themselves, how do you reset your vision?

I don't worry too much about repetition. Life is short, and if an approach is authentic and creative for the photographer, that's enough.

What is currently your basic equipment for an easy day of photography in the city and why these particular focal lengths?

A Leica SL3 with a 24-90mm lens. It's versatile and covers most situations without overcomplicating things.

What did you learn about selection, discipline and the feeling of the "decisive moment" when shooting the very last Kodachrome roll?

Honestly, it wasn't very emotional. Kodachrome was simply the standard tool of its day - like riding a horse until the car comes along. Digital was the natural next step.

How do you organize your camera bag to have quick access and be able to work inconspicuously in sensitive environments?

My kit is simple - camera, a couple of lenses, batteries, memory cards and a passport. Nothing elaborate.

Where do you draw the line between legitimate image optimization and unacceptable manipulation?

For me, functionality and authenticity are most important. Optimization is fine if it improves clarity, but manipulation that alters reality crosses a line - especially in a reportage context.

What is your impression of the Oberwerth camera bags?

They are elegant and extremely functional. That's what really matters to me - functional elegance. A camera bag should be unobtrusive, practical and well-made, and these bags fit that description perfectly.

Steve had the opportunity to test two Oberwerth products: the Edward camera bag, perfect for two M bodies up to the Leica SLand our soon to be launched Signature Line - the pinnacle of Oberwerth craftsmanship and design.

*In the heart of China's Henan province, amidst ancient traditions and customs, a young monk gracefully walks along a wall, defying gravity and demonstrating his mastery of an art form that dates back centuries. This remarkable performance is part of the rigorous training program of young monks and an essential part of their martial arts education.